Hochschule für Grafik und Buchkunst/ Academy of Fine Arts Leipzig (HGB)

Inter(-)Views

Exhibition, 19.05.–03.06.2026

An article by Ines Schabe in the collection "Visual Forms of Law: Legal Contexts of Technical Images"

An article by Ines Schabe in the collection "Visual Forms of Law: Legal Contexts of Technical Images"

Traces of Intimacy

Traces of Intimacy

Exhibition, 07.05.–30.08.2026

Andrei Dmitrenko: As If a Tiny Hoof Turned Me Into a Goat

Andrei Dmitrenko: As If a Tiny Hoof Turned Me Into a Goat

Performance, 01.06.2026

Theme week: Science against fascism

Collaboration, 01.–07.06.2026

FREI - BERUFLICH: On questions of self-employment in artistic and creative professions

FREI - BERUFLICH: On questions of self-employment in artistic and creative professions

Theme day, 02.06.2026

Kino in Bewegung × International Summer Camp Zeitz

Kino in Bewegung × International Summer Camp Zeitz

Film screening and talk, 31.05.2026

10 Jahre Tour de Franz

10 Jahre Tour de Franz

Open studios, 30.–31.05.2026

Halle – Leipzig International

Halle – Leipzig International

Exhibition, 29.05.–23.08.2026

Academy for Transcultural Exchange (AtA): Application for the winter semester 2026/27 possible until 31 May 2026

Annual Exhibition of the Evening Academy

Annual Exhibition of the Evening Academy

Exhibition, 17.–20.06.2026

Positions lectures

HGB professors introduce themselves

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Data Processing Center

Data Processing Center

o.T.

Klasse für Malerei/Grafik von Kerstin Drechsel

Linda Göhrs, Nathanael Uhlig

o.T.

How it feels like for a girl/OP Cupid

Fotografie im Feld der zeitgen. Kunst von Anna Ehrenstein

How it feels like for a girl/OP Cupid

A laptop is looking us straight right. There are two eyes on the red back grounded screen.

Klasse für Systemdesign von Maureen Mooren

Saving Our Screens While Losing Our Minds

Our screens currently function as our window to the world. Since the pandemic, most of our social interactions happen through the surfaces of our devices via various video-call programs, where the counterpart invades our privacy and vice versa. This work is an exhibition of our screensavers showcased on your screens throughout the world. Install our work on your own device, bringing the video installation normally experienced in an exhibition context, in the comfort of our own homes.
Initiated by Eva Dumoulin, Sohyeon Lee with participation from Majd Amer, Julie Högner, Sohyeon Lee, Bastian Moosburger, Leen Murad, Supervised by Maureen Mooren and Malin Gewinner.

Take care (comb with curls)

Klasse für Installation und Raum von Joachim Blank

Klara Marlene Fischer

Take care (comb with curls)

Laquer on MDF, 58 × 100 × 32 cm

Das gefallene Schwein

Grundstudium Fotografie

Das gefallene Schwein

hinter ausgebauten Türen

Klasse für Fotografie und Medien von Dr. Ines Schaber

Dominik Schabel

hinter ausgebauten Türen

Tür der Hochschule für Grafik und Buchkunst Leipzig, Digitale Fotografie, diverse andere Materialen

untitled

Klasse für Fotografie und Bewegtbild von Tina Bara

aus der Serie Tender Touchs I-IV, 2022-ongoing

fleeting moments of intimacy

Klasse für Illustration von Thomas Matthaeus Müller

Ursina Adler

fleeting moments of intimacy

charcoal and pencil on paper

Überflutung

Klasse für Malerei/Grafik von Franziska Reinbothe

Danyila Matsyna

Überflutung

Petrykiwa-Malerei, Gouache, Acryl auf Leinwand 90x290cm

animal (feeling)

Klasse Künstlerisches Handeln und Forschen von Christin Lahr

animal (feeling)

2023
29,7cm x 21cm
graphit on paper

(Take a) glance

Klasse für Fotografie von Heidi Specker

Rebecca Häfner

(Take a) glance

Ein rot-weiß-grünes Buch und Besteck auf einem Teller

Grundkurs Buchkunst/Grafik-Design

Bettina Wija-Stein
Robyn Ceclich

Spaghetti al Pomodoro

Alternativer Einband für das Sachbuch von Massimo Montanari

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