Hochschule für Grafik und Buchkunst/ Academy of Fine Arts Leipzig (HGB)

Heidi Specker: DAMENZIMMER HERRENSCHNITT. A homage to Aenne Biermann

Heidi Specker: DAMENZIMMER HERRENSCHNITT. A homage to Aenne Biermann

Exhibition, 04.09.2026–10.01.2027

Transgressive Memory Festival

Transgressive Memory Festival

Festival, 12.–13.09.2026

Ex/Changing: Transculturality and institutional Work

Ex/Changing: Transculturality and institutional Work

Exhibition and Events Programme, 15.–22.10.2026

Hanns Bahra: "Anhang im Süden" and Award Ceremony of the MECkERT Art Prize

Hanns Bahra: "Anhang im Süden" and Award Ceremony of the MECkERT Art Prize

Award Ceremony, 04.–06.09.2026

Evening Academy programme is online

Applications for the winter semester possible until 11 September

Performative Arts Class: The State of Listening - Manifestations and Spaces of Relationship

Performative Arts Class: The State of Listening - Manifestations and Spaces of Relationship

Performance, 06.09.2026

M26: Exhibition by the Master’s students

Exhibition, 25.09.–08.10.2026

Photography and Moving Image Class: Leaning into trouble

Photography and Moving Image Class: Leaning into trouble

Exhibition, 15.08.–25.09.2026

"AI and Magic" by Michael Klipphahn-Karge is due to be published this autumn by Edition Metzel

"AI and Magic" by Michael Klipphahn-Karge is due to be published this autumn by Edition Metzel

HGB Magazine #3 awarded "The Best German Book Design"

HGB Magazine #3 awarded "The Best German Book Design"

Fragments, Blank Spaces, Blind Spots. Right-wing continuities at art academies and the Leipzig Academy under National Socialism

Changed opening hours during the lecture-free period

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Data Processing Center

Data Processing Center

Trinkets of Overflowing Emptiness

Klasse für Illustration von Thomas Matthaeus Müller

Julia Süß

Trinkets of Overflowing Emptiness

Mischtechnik — A0

turotw_typespecimen

Grundkurs Buchkunst/Grafik-Design

Prof. Marion Kliesch
Elmo van der Poel
Ondrej Báchor, Andrej Loll

The Unauthorized Repair Of The World – Typespecimen

How it feels like for a girl/OP Cupid

Fotografie im Feld der zeitgen. Kunst von Anna Ehrenstein

How it feels like for a girl/OP Cupid

Klasse für Malerei von Michael Riedel

Yevheniia Maior

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(Take a) glance

Klasse für Fotografie von Heidi Specker

Rebecca Häfner

(Take a) glance

DZiKADiVA

Klasse für Fotografie und Medien von Dr. Ines Schaber

Karolina Sobel

DZiKADiVA

Wut macht satt (2)

Grundstudium Fotografie

Wut macht satt (2)

A casual school day (Part)

Klasse für Malerei/Grafik von Franziska Reinbothe

Rasool Abu Saab

A casual school day (Part)

Öl auf Leinwand 130x100cm

Take care (comb with curls)

Klasse für Installation und Raum von Joachim Blank

Klara Marlene Fischer

Take care (comb with curls)

Laquer on MDF, 58 × 100 × 32 cm

o.T.

Klasse für Malerei/Grafik von Kerstin Drechsel

Irina Butkovskaia

o.T.

30 x 42cm, Riso, 2024

Poster (waistd) mit Yola Brormann

Klasse Künstlerisches Handeln und Forschen von Christin Lahr

Poster (waistd) mit Yola Brormann

2023
29,7cm x 42cm
silkscreen on clay

Dschungel aus Beton

Klasse für Fotografie und Bewegtbild von Tina Bara

Gabriel Corredor Aristizábal

Dschungel aus Beton

2017-2018

A laptop is looking us straight right. There are two eyes on the red back grounded screen.

Klasse für Systemdesign von Maureen Mooren

Saving Our Screens While Losing Our Minds

Our screens currently function as our window to the world. Since the pandemic, most of our social interactions happen through the surfaces of our devices via various video-call programs, where the counterpart invades our privacy and vice versa. This work is an exhibition of our screensavers showcased on your screens throughout the world. Install our work on your own device, bringing the video installation normally experienced in an exhibition context, in the comfort of our own homes.
Initiated by Eva Dumoulin, Sohyeon Lee with participation from Majd Amer, Julie Högner, Sohyeon Lee, Bastian Moosburger, Leen Murad, Supervised by Maureen Mooren and Malin Gewinner.

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