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Hochschule für Grafik und Buchkunst
Academy of Fine Arts Leipzig
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        HGB Magazine #3
        HGB Magazine #3
        Fragments, Blank Spaces, Blind Spots. Right-wing continuities at art academies and the Leipzig Academy under National Socialism
        Today
        ECAL A Typographic Atlas
        ECAL A Typographic Atlas
        Exhibition, 09.04.–09.05.2026
        Traces of Intimacy
        Traces of Intimacy
        Exhibition, 07.05.–30.08.2026
        Inter(-)Views
        Inter(-)Views
        Exhibition, 19.05.–03.06.2026
        Dayoung Jung receives the VNGart Prize 2026
        Dayoung Jung receives the VNGart Prize 2026
        The accompanying exhibition “Present Collective II” is on view at the Werkschauhalle of the Leipzig Spinnerei through May 16
        Academy for Transcultural Exchange (AtA): Application for the winter semester 2026/27 possible until 31 May 2026
        HGB Artists in „Relational Acts - Performance Practices and Media of Documentation“
        HGB Artists in „Relational Acts - Performance Practices and Media of Documentation“
        Clemens von Wedemeyer: Training the Image - How Images Learn
        Clemens von Wedemeyer: Training the Image - How Images Learn
        movie program, 29.04.–01.05.2026
        HGB Programme at Museumsnacht Halle und Leipzig 2026
        HGB Programme at Museumsnacht Halle und Leipzig 2026
        Positions lectures
        HGB professors introduce themselves
        HGB newsletter
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        Current events
        Photography Workshop
        Photographical Laboratories
        turotw_typespecimen
        Grundkurs Buchkunst/Grafik-Design
        Prof. Marion Kliesch
        Elmo van der Poel
        Ondrej Báchor, Andrej Loll
        The Unauthorized Repair Of The World – Typespecimen
        Das gefallene Schwein
        Grundstudium Fotografie
        Luki Haak
        Das gefallene Schwein
        Untitled
        Klasse für Malerei/Grafik von Kerstin Drechsel
        Ivar Nordli
        Untitled
        2025
        Night (Red)
        Klasse für Fotografie von Heidi Specker
        Lam Funke
        Night (Red)
        Tintenstrahldruck, Lack auf Glas, Leichtschaumplatte, 30,0 x 40,0 cm, 2026
        untitled
        Klasse für Fotografie und Bewegtbild von Tina Bara
        Zina Bluhm
        untitled
        aus der Serie Tender Touchs I-IV, 2022-ongoing
        the joy of falling asleep and waking up again
        Klasse für Illustration von Thomas Matthaeus Müller
        Ursina Adler
        the joy of falling asleep and waking up again
        zine printed in riso
        Untitled (horses)
        Klasse Künstlerisches Handeln und Forschen von Christin Lahr
        Tobias Bertz
        Untitled (horses)
        2023
        29,7cm x 21cm
        ballpoint pen on paper
        man sieht Mauersegler auf dem Bild
        Klasse für Fotografie und Medien von Dr. Ines Schaber
        Lynn Elis
        Mauersegler, 2022
        video still “swifts”, ongoing video series “traces”
        Ohne Titel (Orte)
        Klasse für Malerei/Grafik von Franziska Reinbothe
        Nele Pianka
        Ohne Titel (Orte)
        Öl auf Leinwand, 35x20cm
        keep my smaller selves
        Klasse für Installation und Raum von Joachim Blank
        Naomi Frank
        keep my smaller selves
        How it feels like for a girl/OP Cupid
        Fotografie im Feld der zeitgen. Kunst von Anna Ehrenstein
        Jonna Baumann
        How it feels like for a girl/OP Cupid
        A laptop is looking us straight right. There are two eyes on the red back grounded screen.
        Klasse für Systemdesign von Maureen Mooren
        Saving Our Screens While Losing Our Minds
        Our screens currently function as our window to the world. Since the pandemic, most of our social interactions happen through the surfaces of our devices via various video-call programs, where the counterpart invades our privacy and vice versa. This work is an exhibition of our screensavers showcased on your screens throughout the world. Install our work on your own device, bringing the video installation normally experienced in an exhibition context, in the comfort of our own homes.
        Initiated by Eva Dumoulin, Sohyeon Lee with participation from Majd Amer, Julie Högner, Sohyeon Lee, Bastian Moosburger, Leen Murad, Supervised by Maureen Mooren and Malin Gewinner.
        Today
        Already ongoing
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