Illustration class, Thomas Matthaeus Müller
Julia Süß
Trinkets of Overflowing Emptiness
Mischtechnik — A0
Painting and Printmaking class, Kerstin Drechsel
Marthe Lallemand
Lallemand-e I The German
4-coloured, 8 layers. Silkscreen and letterpress on tea paper, acrylic on paper and stamp Techne Sphere-Kirow. Masterclass graduation. Leipzig 2024
System Design class, Maureen Mooren
Portait of a class
Conversation pieces of students from Systemdesign class about self-marketing, cultural responsibilities and the design education form a portrait of the class. A4 on Clairfontaine Color Trophée 120g/qm. Supervised by Claudia Doms.
Photography and Media class by Dr. Ines Schaber
Noah Müller
Placement
Artist's book, color photographs of sculptural room installations in the form of living room simulations. Book: 28 color photographs + consumer archive, 27×20 cm, Illustrated work: 114x92,8 cm, inkjet print, 2020
Painting and printmaking by Franziska Reinbothe
Lennert Arnoldt
Die Pflanze
Fake leather, acrylic on Kappa boards, latex
Photography class, Heidi Specker
Lam Funke
Untitled (4)
36.0 x 27.0 cm, From the work series "Szenario (Risiko)" (2025),
Inkjet print, lightweight foam board
Foundational Course Photography
Lisa Schmidt
El Ejido
Foundational Course Book Design/Graphic Design
Prof. Marion Kliesch
Elmo van der Poel
Ondrej Báchor, Andrej Loll
Elmo van der Poel
Ondrej Báchor, Andrej Loll
The Unauthorized Repair Of The World – Typespecimen
Ever again, something in need of repair? By reclaiming discarded, broken, leftover, or found materials, we reimagine their potential, using them to create initial compositions through experimental offset printing. From these freeform experiments, we discover how shapes tell stories, fit together, and define the character of a typeface. This hands-on exploration of cutting, layering, recomposing and repairing shapes creates new letterforms with the potential to evolve into functional typefaces.
Installation and Space class, Joachim Blank
Laila Kamil
where do we go from here