H
G
B
The fallen swine
Foundational Course Photography
Luki Haak
The fallen swine
Scans of a printed matter in A4, with a white fold out cover containing letters from the students and a colored interior with differently layouted conversation pieces.
System Design class, Maureen Mooren
Portait of a class
Conversation pieces of students from Systemdesign class about self-marketing, cultural responsibilities and the design education form a portrait of the class. A4 on Clairfontaine Color Trophée 120g/qm. Supervised by Claudia Doms.
Vergissmeinnicht
Illustration class, Thomas Matthaeus Müller
Ursina Adler
Vergissmeinnicht
gesso, charcoal and pencil on plywood
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Painting class, Michael Riedel
Clara Rotermund
Net ± Zero
Photography and Media class by Dr. Ines Schaber
Jason Hess
Net ± Zero
Foundational Course Painting/Graphic Art
Maria Kremer
(Take a) glance
Photography class, Heidi Specker
Rebecca Häfner
(Take a) glance
Überflutung (Flooding)
Klasse für Painting/printmaking by Franziska Reinbothe
Danyila Matsyna
Überflutung (Flooding)
Petrykiwa painting, gouache, acrylic on canvas 90x290cm
Hender
Painting/Printmaking class, Kerstin Drechsel
Alfred Lillo-Sather
Hender
turotw_typespecimen
Foundational Course Book Design/Graphic Design
Prof. Marion Kliesch
Elmo van der Poel
Ondrej Báchor, Andrej Loll
The Unauthorized Repair Of The World – Typespecimen
Ever again, something in need of repair? By reclaiming discarded, broken, leftover, or found materials, we reimagine their potential, using them to create initial compositions through experimental offset printing. From these freeform experiments, we discover how shapes tell stories, fit together, and define the character of a typeface. This hands-on exploration of cutting, layering, recomposing and repairing shapes creates new letterforms with the potential to evolve into functional typefaces.