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Contemporary generative artificial intelligence in art, photography, film, literature and music evokes astonishment, horror, enthusiasm or scepticism and is developing at breakneck speed in all areas of culture and science. In latent spaces of huge mathematical matrices, artificial neural networks understand the world like a code and begin to learn independently, to produce images and sounds, to write, translate and speak.

The exhibition Le Monde selon l'AI, which spans the entire space of the Jeu de Paume, explores the ways in which contemporary artists have been mobilising these artificial intelligences over the last decade with both critical and experimental intentions.

From "Analytical AI" to "Generative AI", the exhibition looks at these new tools that make it possible to rethink and innovate creative processes while shedding light on the way machines see and inhabit the world. The exhibition features works by French and international artists who have explored the new AI technologies from different perspectives. Prof Clemens von Wedemeyer is one of the artists involved in the exhibition curated by Antonio Somaini.
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