H
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Monster
Illustration class, Thomas Matthaeus Müller
Marla Vita Gehrt
Monster
Sketchbook Insight
Piedemonte
Photography and Moving Image class, Tina Bara
Gabriel Corredor Aristizábal
Piedemonte
2022
Untitled (1)
Photography class, Heidi Specker
Lam Funke
Untitled (1)
36.0 x 27.0 cm, From the work series "Szenario (Risiko)" (2025), Glass, Tape, Laser Print, Inkjet print
Will update soon
System Design class, Maureen Mooren
Lukas Weber, Hagen Tanneberger
It's a book stage
Fotografien, Zeitzeugenzitate, Archivmaterial aus dem Stasiunterlagenarchiv, Buchreproduktionen, Werbeprospekt und Foundfootage aus dem Internet gedruckt auf Hahnemühle Photoluster 260 g/m2 und Hahnemühle PhotoRagS-atin kaschiert auf Alu-Diliteplatte
Photography and Media class by Dr. Ines Schaber
Hugo Hilpmann
Praktica (1964-1989)
Wut macht satt (2)
Foundational Course Photography
Okezi Iteire
Wut macht satt (2)
Anger
Klasse für Painting/printmaking by Franziska Reinbothe
Olena Melnyk
Anger
Oil on canvas 50x140cm
Installation and Space class, Joachim Blank
Marie Seelen
Spaces
untitled
Painting/Printmaking class, Kerstin Drechsel
Liza Pushkina
untitled
turotw_typespecimen
Foundational Course Book Design/Graphic Design
Prof. Marion Kliesch
Elmo van der Poel
Ondrej Báchor, Andrej Loll
The Unauthorized Repair Of The World – Typespecimen
Ever again, something in need of repair? By reclaiming discarded, broken, leftover, or found materials, we reimagine their potential, using them to create initial compositions through experimental offset printing. From these freeform experiments, we discover how shapes tell stories, fit together, and define the character of a typeface. This hands-on exploration of cutting, layering, recomposing and repairing shapes creates new letterforms with the potential to evolve into functional typefaces.