Symposium: Costs of (Dis)Connecting (04.-05.12.2025)
Digital connections have long been sold to us as an unalloyed good: seamless, frictionless, universal. Yet the infrastructures that knit us together are also infrastructures of extraction, dispossession, and psychic attrition. To connect is to pay—with attention, with intimacy, with the disassembly of common worlds. To disconnect is likewise costly, casting individuals into isolation, precarity, or invisibility.
In this symposium, we ask: what are the costs of (dis)connecting in the digital present? How do platforms, feeds, and models organize not only what is seen but also what can be imagined? And how might artists, theorists, curators, gallerists and mediators invent gestures of resistance, refusal, or subversion in the face of these algorithmic orders?
Thu 04.12.2025, HGB (only for HGB students)
10 am - 9 pm
Introductory Workshops for HGB students:
Lenn Blaschke & Caspar Weimann hosted by Prof. Christin Lahr & Sven Bergelt (Class Artistic Action and Research
Nicolas Gourault hosted by Prof. Clemens von Wedemeyer (Expanded Cinema class)
Aleks Berditchevskaia hosted by Prof. Eli Cortinas & Prof. Stine Jacobsen (Media Art foundational course)
Cait Fisher hosted by Anna Zett (Class for Performative Arts)
Orhun Mersin aka kekik & Yagmur Uçkunkaya (different date and place: 05.12., 1:30pm-3:30pm in HALLE 14)
06:15 pm
Public Film Screening:
Nicolas Gourault, VO (2020) und Their Eyes (2025)
Fri 05.12.2025, HALLE 14
Open for everybode: Free admission & no registration needed – just drop by!
10 am - 9 pm
Full-day program consisting of lectures, talks, a workshop and performances with: Günseli Yalcinkaya, Shumon Basar, Orhun Mersin & Yagmur Uçkunkaya, Shusha Niederberger & Heiko Schmid, Franziska von Hasselbach, Mark Mushiva, and others
10 am - 7 pm
Side program with Filmscreening and exhibition
In advance of the main symposium, the workshop day invites students to engage with the practical, performative, and critical dimensions of connectivity and disconnection in the digital present. Across five thematic workshops, artists, researchers, and facilitators will explore the infrastructures, imaginaries, and embodied practices that shape our online and offline lives. From investigating algorithmic labor and AI systems, to resisting online radicalization, to experimenting with collective intelligence, somatic resonance, and queer approaches to technology, these sessions combine hands-on experimentation with artistic strategies, reflective inquiry, and speculative methods for navigating the costs of (dis)connection. Students are encouraged to engage actively with the methods and materials, experiment with artistic and conceptual strategies, and reflect on the intersections of theory, technology, and embodiment throughout the day.
10:00 – 10:15
Welcome & Introduction
Academy of Fine Arts Leipzig & HALLE 14 – Centre for Contemporary Art
10:15 – 11:15
Lecture: Tectonic Shifts
Günseli Yalcinkaya
Meme theory, folklore, internet youth culture & the myths inside AI systems
Q&A follows
11:15 – 12:15
Digital Lecture: The Axis of Posting – Present Traumatic Screen Disorder
Shumon Basar (remote)
Screenshotting as survival, platform fatigue & the New New Normal
Q&A follows
12:15 – 13:30
Lunch Break
13:30 – 14:30
Lecture Performance: Frequency – On the Decolonial Affordances of Technology
Mark Mushiva
Material, forensic, and poetic dimensions of African accelerationist technological imaginaries
Q&A follows
14:30 – 15:30
Lecture Performance: Archive of Daily Digital Disobedience
Shusha Niederberger & Heiko Schmid
Everyday digital resistance tactics, refusal, and platform sabotage
Q&A follows
15:30 – 16:00
Input Talk: The Gallery Interface
Franziska von Hasselbach
On Cyprien Gaillard’s Retinal Rivalry as a study of vision, memory, and decay—and on how galleries navigate the fractures of digital (dis)connection.
16:00 – 17:15
Panel Discussion: Who Gets to (Dis)Connect?
With Günseli Yalcinkaya, Shusha Niederberger, Heiko Schmid, Franziska von Hasselbach.
Moderation: Quincey Stumptner On economies of attention, artistic strategy, and who holds power online/offline
17:15 – 17:45
Short Break / Transition
17:45 – 18:45
Performance: Dragging the Latent, Unlearning the Model
Orhun Mersin aka kekik & Yagmur Uçkunkaya
A drag and sound performance with visuals building on workshop outcomes
19:00 – 21:00
Closing DJ Sets
dots and lines & Lukas Aaron Maar
Screenings
- The Mechanics of Fluids, 2022, 38 min
Gala Hernández - LITTLE PICTURES, 2025, 27 min
Lydia Marx - Imitation Machines, 2025, 3-Channel Video, 22 min (total running time)
Alex Bartsch
Exhibition
Free to visit: “The Will to Change”
With works by Christa Joo Hyun D’Angelo, Marc-Aurèle Debut, Jakob Ganslmeier & Ana Zibelnik, Kubra Khademi & Daniel Pettrow, Eric Meier
Heiko Schmid is an art and media scholar, curator, and author, specializing in the intersection of art, media, and cultural history. His work explores themes such as the science fiction genre, digital popular culture, and educational strategies that emphasize complexity in the arts. Heiko is also the president of the KiöR (Kunst im öffentlichen Raum) commission in Zurich.
Yagmur Uçkunkaya works with AI technologies across artistic and interdisciplinary contexts, focusing on its emergent imaginaries, societal implications and operational processes. Holding a Bachelor’s in Medieninformatik, she spent several years at a creative AI agency, contributing to projects ranging from anarchic speech instruments to intelligent irrigation prediction systems for Berlin’s urban trees. Her current practice centers on research-driven, critical perspectives on AI applications, informed in part by her Master’s studies in Design & Computation at TU–UdK Berlin.

